Made the Happy Birthday Statement

Wednesday, March 17, 2010

Made the Happy Birthday Statement


This was postingan I in 2010.. and Today coincided with the Birthday of the Wife me was beloved..  I will for the tutorial make the Ulang Tahun Statement that was Unique..

Image needed :

rumput kayu Coccinella

The clique to enlarge then save…

For the new document

happy birthday 1

Sekarang gunakan Pen Tool untuk membuat bentuk seperti ini.. nanti format nya PATH ya.. gunanya untuk REL huruf.

happy birthday 2

Klik Type tool untuk membuat Huruf. Klik ditengah Path tadi.. tulis ” Happy”

warna gak jadi soal .. nanti akan diseting belakangan..

happy birthday 3

Gunakan cara yang sama .. buat bentuk seperti ini

happy birthday 4

Gunakan Type tool lagi untuk membuat kata birthday.

happy birthday 5

Klik kanan layer happy > rasterize layer..  klik kanan juga layer birthday > rasterize layer

happy birthday 6

gabungkan keduanya dengan menekan CTRL + E.  kursor harus berada di paling atas ( layer birthday)

happy birthday 7

Klik kanan layer hasil penggabungan tadi > Blending Options, atau klik 2x. ikuti setting nya seperti dibawah

happy birthday 8

duplikat layer Happy  dengan menekan tombol CTRL +J.. Klik kanan di layer hasl duplikat > Clear layer style untuk menghilangkan efek blending

happy birthday 9

buat layer baru dibawah layer Happy

happy birthday 10

gabungkan layer Happy dengan layer dibawahnya dengan menekan CTRL + E

happy birthday 11

Buka file gambar kayu.. lalu drag ke dalam dokumen yang baru saja dibuat.

happy birthday 12

Simpan diantara layer huruf dan layer 1

happy birthday 13

tekan CTRL + Klik di layer 1 untuk menyeleksi..  Klik Select > Inverse . Klik layer kayu lalu tekan DELETE

happy birthday 14

Pilih layer 1 .. Klik kanan > Blending Options .. setting color overlay nya

happy birthday 15

jangan dulu OK.. sekarang kita setting stroke

happy birthday 16

Sekarang kita setting Kayunya supaya keliatan 3D

Klik kanan layer kayu   > Blending Options , Kita akan setting Drop shadow, Bevel & Emboss, dan Stroke berturut-turut seperti ini

Drop Shadow

happy birthday 17

Bevel & Emboss

happy birthday 18

Stroke

happy birthday 19

Beres deh Kayu nya..

Sekarang kita ubah hurufnya menjadi beraroma Rerumputan

buka file rumput, Drag ke dokumen tadi, atur sehingga menutupi kata-kata happy birthday.

happy birthday 20

CTRL + KLIK di layer huruf, klik Select > inverse ,  Klik layer rumput, lalu tekan DELETE.

happy birthday 21

Ayo kita kasih efek hurufnya dengan blending Option

Klik kanan di layer rumput yang udah jadi huruf tadi > Blending Options atau klik 2x …  Ikutin setting nya seperti dibawah

DRop shadow

happy birthday 22

Bevel & Emboss

happy birthday 23

Supaya keliatan Lucu (kayak Jojon) kita kasih warna merah..  tapi pake gambar serangga.. supaya gambarnya lebih hidup.

buka gambar serangga lalu drag ke dalam dokumen

happy birthday 24

Atur gambar serangga nya sedemikian rupa, Kecilin, putar, injek, banting , dan perbanyak dengan menekan CTRL + J. sehingga hasilnya seperti ini

happy birthday 25

Selamat Mencoba…

Made the Effect of Dave Hill

Monday, March 15, 2010

Made the Effect of Dave Hill


Who was Dave Hill? I also a little tau.. but his Work was really Good-looking and Great Markotop.. Could see the work of Dave Hill here

How's it? Good-looking would? I attempted for Efeknya but gak too same.. but at least was similar.. hehehe Forced!

Come on other we began..

Open the photograph that wanted to be given by the Effect of Dave Hill, I with the photograph produced by Jepretan personally.. the photograph Nadia with the Helmet.

dave hill 1

The duplicate of the layer background by pressing the switch of CTRL + J twice.. The note: the layer background only for the layer of the standard then.

dave hill 2

Klik Filter > Other > High Pass  ( posisi di layer 1 copy )

dave hill 3

contening Radius 1 pixel.. but for this figure depended from big the small size of a picture.

The substitute blending the layer 1 copy became Vivid Light

dave hill 4

Unite Layer 1 copy that has been given High Pass Effect With his low layer, pressured CTRL +E.

dave hill 5

The duplicate again the layer 1 by pressuring CTRL + J, gave the High effect pass in the layer produced by the duplicate. Filter > Other > High Pass, With the different figure.

dave hill 6

The substitute for the Style Layer became Color and Opacity so 40 %

dave hill 7

Unite again the layer 1 copy with his low layer.. pressed CTRL + E

dave hill 8

The duplicate again the layer 1 with pressed CTRL + J

Klik Filter > Blur > gaussian Blur with value 9 pixel

dave hill 9

Klik Filter > Noise > Add Noise, with value 3%

dave hill 10

Use Eraser Tool untuk menghapus bagian yang mau ditonjolkan seperti mata, bibir, hidung, terserah aja..

dave hill 11

The Duplicate Opacity become 40%

dave hill 12

Unite the two layers.. with pressed CTRL + E .

dave hill 13

Clik Filter >Sharpen > Unsharp Mask

dave hill 14

But thought above again and again depended to big the small size of a picture.. attempted personally then yes..

Results of his End

nadia

Image before :

nadia sebelum

His difference was striking enough would?

This had several examples again :

Foto Aura Kasih
Foto Dian Sastro
Mission Impossible
Foto John Cena
Congratulations tried..

The Cast Shadow

Summary:
There are many different types of shadows, but the most common shadow is the cast shadow. It is a shadow that is created by something blocking the light source. In this tutorial, we will show you how to create cast shadows in Photoshop. If you are trying to merge more than 1 image together, you will usually need to fake the cast shadow. Along the way we will give you tips and tricks on how to determine what strength and size for the new shadow.
 
Currently we are using Windows Vista Home Premium 64 Bit and the Photoshop CS4 Extended 64 Bit version.
 
Knowledge You Need to Know:
If you are unfamiliar with certain areas that are not covered in this tutorial, feel free check out the other tutorials on our website. We have many different types of tutorials that can be downloaded (Video, PDF) or viewed online that will train you for free! Once you have the knowledge, feel free to come back and go through this tutorial again.
 
Preparing For This Tutorial:
You will be using a picture of this baseball player (we took this photo in 2007 at a Detroit Tigers baseball game). If you do not have this image, please scroll down to the image of “Click Picture To Download Supporting Files” and download the image. Please open the image PE-PLAYER in the Photoshop Program.
 
Shadow Discussion:
The technique that we will be showing you can be used for 90-95% of all projects. We will be showing you a basic shadow that will fool most people. So what about the other 5-10% of the projects?
 
So what do you do if you have a complex shadow? First what is a complex shadow? It is a shadow that changes based on the object it is being blocked by and the surface it is being displayed on. Example: Let’s say you wanted to take a 10 foot tall glass mug and put it on a grassy hill. What makes it tough is when you are dealing with glass, you will get a different type of shadow and when you are working with grass that is uneven and it is slanted on a hill, you will need to create a different type of shadow. When we get to more advanced courses, we will come back and show you how to do a complex shadow.
 
Don’t worry, this cast shadow will look believable.
 
Fake Shadow:
Have you ever looked at a picture and it looked fake? Well one of the most common problems that causes it to look fake is the shadows. For more information on how to spot a fake, read the following article that we wrote called Beginner Guide to Spotting a Fake.
 
Most of the time the problem is that the new object is missing a shadow or the shadow is going in the wrong direction. For most images, it is important to get the shadow at least looking good or very good or else the viewer of your image will scream “FAKE”.
 
Shadow Information:
If you read other sites, you may be confused on diffused reflection, direct reflection, diffuse light, or direct light, etc. If you learned this information, great, but our goal in this tutorial is to give you a basic understanding of a shadow.
 
When will you need to add shadows? If you are taking an object or anything from 1 image and adding it to a second image. Usually the object you are copy from will need a shadow.
 
So how do you determine the shadow direction and the strength? The easiest and best way is to look at the image that will be your background (image you are copy into). You will usually find a few shadows and that will show you the direction and strength of the shadow. What if you can’t cheat off of another shadow in the image? Look for lighter areas of the image. Example, you see a person standing and you notice no shadows, but you see the right side of body or face is brighter. This means the light source is coming from the right hand side. For this example you would look at how strong the light source is and create a new shadow towards the left hand side. The stronger the light source, the stronger the shadow should be.
 
Here are few more observations. Are you indoors when reading this tutorial? If so put your hand flat over a surface such as a table (as long it is not glass or metal and you have a light on, you are fine). Now move your hand that is flat up and down (away and towards the surface of the table). Notice how your shadow size, and strength changes. Usually indoors, your light source will be straight above you. This means if you have your hand flat above the surface, the shadow will be right below your hand.
 
Also, notice when you move it closer to the table that the shadow becomes darker. Finally, if you tilt you hand back and on an angle (fingers on an angle in the air), look at the shadow. You will notice that finger tips (farthest away from the flat surface) will be blurred a bit more compared to the base of your hand.
 
So for a general rule (on certain shadows this is not always correct), the strength of the shadow will be weaker when the object is farther away from the surface. Also when it is farther away, it will blur more around the edges of the shadow.
 
So what if you do not see a shadow in the image and you can’t tell where the light source is coming from? We will use a light source as if it was coming from front to back and create a faint shadow. Example: you have a person standing pointing a little to the right side with no visible shadow or there is no obvious light source. Usually we will create a shadow that goes towards the back of the person and to the left hand side and make the shadow very light colored.
 
If you do not know the light source, then create the shadow and then add the following step to make it look realistic. If you add a perfect shadow to an object that does not show the light source, you need to go back to the actual object and lighten up a certain area. Example: You have a person standing with no light source, but you put a strong shadow to the back left of the person, then you need to make sure that you lighten the blocking light object on at least the right side of the of the object. If we have time in the future, we will show you easily how you can lighten up certain areas of an object.
 
Creating shadows in Photoshop is easy, but the tough part is determining the angle and the strength of the shadow it should be. Don’t worry; most images will have existing shadows that you can cheat off of.
 
Cast Shadow Creation:
There are many different ways to create a shadow in Photoshop, but the basics is to duplicate the layer, somehow change it to all black and then use the Free Transform tool and then blur the edges and fade certain parts out of the shadow. Listed below is a method that we have been using for many years now and the end result looks good.
 
Once you open the image in Photoshop, you will have 2 layers, 1). Player and 2). Background. Left click the Player layer in the Layers Palette and use CTRL-“J” to duplicate the layer. Our goal is to make the duplicate layer all black. One way to make this all black is by going into Hue and Saturation (CTRL-“U”) and moving the lightness slider bar all the way to the left. For more information about the Hue/Saturation adjustment, please review the Hue And Saturation Adjustment tutorial. Left click the “OK” button.
Hue/Saturation Dialog Box
 
You should see your layer change to a black shadow.
Black Shadow
 
You should rename that layer in the Layers palette to “Shadow” and drag this layer below the “Player” layer. Once moved, make sure you Left click the “Shadow” layer. Renaming the layer is not required, but it is important to get you into using good habits. When you begin to work with 50+ layers, you need to make sure everything is labeled correctly in the Layers palette.
 
Here is how our Layers palette currently looks.
Layer palette
 
Now we already talked about the transformation tools in Transforming Objects tutorial and we just discussed the Free Transform tool in the Transforming The Warp Tool tool. Let’s use CTRL-“T” to get into the free transform tools.
 
So without any visible shadows in this example, how do we know what angle and strength to create the cast shadow? Look at the helmet and the angle of the baseball player. See the strong light on the back of the helmet? Now use the “Distort” option to flatten the shadow towards the ground. Here is our quick shadow. Once distorted, Left click the Check to apply the changes. For some images, you may need to use the other Free Transform tools such as Skew or Perspective. Don’t worry if it is not exactly perfect. We can always re-adjust it later.
Free Transform Shadow
 
Now CTRL-Left click the image in the Layers palette for the Shadow Layer. This will make a selection around the layer. If you forget to do this step, you will apply the Gradient to the whole image. By selecting only the shadow, we will be applying it only to the Shadow Layer.
Selecting Shadow
 
You next step is to change the foreground color to a light gray. We used #C7C2C2. For the background color, change it to a darker color, but not black. We used #282828. Depending on how strong the light source is, you will need to adjust the foreground and background color. If you can cheat off of another shadow in the picture, selecting the correct darkness will be easy. Photoshop Tip – It better to use a little darker then you think you will need. You can always change the opacity to reduce the strength later.
 
Now change to the Gradient tool and make sure the preset is set to foreground to background color. The reason we are using the Gradient Tool is to change it from all black to a shade of black or gray. In the Gradient toolbar, make sure it is set to Linear Gradient (far left option). Also for this example only, change the opacity to 75% in the Gradient toolbar. For your image, please play around with the opacity.
 
Now drag from the bottom up towards the head of the shadow.
Gradient Shadow
 
Now use CTRL-“D” to Deselect. Your image should look similar to the one below.
Deselect Shadow
 
This next area is where other tutorials may be a bit different than ours. Some people will apply a Gaussian blur to the whole shadow at this stage. We actually prefer to manually blur it. By manually blurring it, it allows us flexibility on the blur.
 
Remember the edges of a shadow are usually blurred, but you will find the farther way areas of the blocking object will be blurred even more. On this example the head of the shadow needs to be very blurred, while the leg area needs to be lightly blurred.
 
On this example, we change to the Blur tool (for more information about the Blur tool, please refer to the Smudge, Sharpen, Blur Tools course)in the toolbox and on this example, we use a 15x master diameter (size) brush with the hardness turned down to 0%. We set the strength to 25% (located to the right of the mode in the toolbar of the Blur tool). To make it easy to follow along with this tutorial, we would like you to blur the edge of the shadow, only for the area that is in between the actual players legs image. See area below.
 
In a real world, we would blur this at different strengths even more, but for this tutorial we break it up into 4 different sections.
Blur Leg Low Strength
 
You will notice it is now blurred very little. Remember, if you feel that it should be blurred more, than go over it again. If you have another shadow in the image, we recommend that you look at that shadow to determine how much it is blurred in specific areas. You can always reduce or increase the strength. Remember to keep the strength low for this first part.
Leg Blurred
 
Now turn up the blur strength to 50% and blur only the edging of this area of the shadow.
Mid Shadow Blur
 
You should have something like this now. Remember, if you feel more blur is needed in that area, go over the edges again!
Mid Shadow Blurred
 
Now turn your blur up to 80% and go over the following edges of the shadow. This is roughly up to the neck of the shadow.
Top Area More Blurred
 
Your results should look similar to the image below. If you only need a bit more blurred, you can always lower the strength for the second pass.
Top Area Stronger Blurred
 
Now for the last area, change the blur to 100% strength.
Head Area To Be Blurred
 
Here is what our image looks like right now.
Shadow All Blurred
 
Before we do our final tweaks, let’s lower the opacity of the Shadow layer in the Layers palette to 73%. For your shadow, try cheating off of the other shadows and lower the opacity so it matches the strength of the other shadows. Play with opacity!
Opacity Changed
 
Looks better, but there is a little bit more blurring that should be around the edges.
Final Tweaks
 
You can manually do this next step or use a Filter. The reason we do not mind using a Filter at this stage is that we already applied different strengths to the edges and we can bump up the total edging blur at once with a Filter.
 
Remember this step is optional. Either your image will look very good or you will need to do some tweaks with either the Blur tool (minor fixes) or a Filter to blur the total edging.
 
From the “Filter” menu, move the mouse cursor down to the “Blur” option. A sub-menu will be displayed. From the sub-menu Left click the “Gaussian Blur…” command.
Gaussian Blur Menu
 
You will then see a Gaussian Blur dialog box. You will want to play with the strength, but usually you will keep the radius pixels between 1.0 – 4.0. For this example, change it to 1.5 and Left click the “OK” button to apply the changes.
Gaussian Blur Settings
 
Final Tweaks:
Your picture should look like the one below. Now it is time for the final tweaks. Do you need to blur it more using the Blur tool? Is it blurred to much in certain areas? Then use the Sharpen tool. Does it look better with a lower opacity?
Final Shadow Tweaks
 
Look at the shadow, is it positioned or angled correctly? This is the time to make that correction. For this example, let’s leave it the same (we could correct it a bit more, but this is just for this tutorial). You will notice that there is part of the black shadow around the shoe of the right foot. Let’s create a Layer Mask and remove that portion. Please refer to the Masking And Transform Information or More Masks Please tutorial for more information.
 
Here is what our layers look like. When you are done, let’s apply the mask.
Layer Mask
 
Your end result should be a good looking shadow. For this tutorial, we forgot to remove the darker area on the right shoe on the left hand side. Ooops!
Final Image
 
More Of A Real World Example:
Most of the time you are not going to be putting a shadow on a white background, so let’s look at a more real world example. We call this the overgrown baseball player going to the Football field (Ford Field). Photoshop Tip – Do you want to make the shadow a bit darker, try using a “Multiply” blending mode.
 
To make this look perfect, you will need to add a small shadow under the shoes. This would be a drop shadow. There are many ways to accomplish this, but the easiest way is to either draw the darkness in under the shoe or to use the Burn tool. Without this small shadow under the shoes, it will make it look like the object is floating above the surface.
Real World Example
 
Conclusion:
By reading this tutorial you should have learned how to determine the angle and strength a shadow should be. Remember the easiest way is to cheat off of another shadow in the image. Use that other shadow as a template for creating a new cast shadow.
 
Play with the distort option. Sometimes a small adjustment in this step will make the shadow look a lot better. When blurring the edges we will usually go around the edges once and gradually increase the strength, but once it is almost complete we re-evaluate how the shadow looks and usually add additional blur to certain areas. Also, before we do the Layer Mask, we will make the final adjustments with the Free Transform tool.
 
If you can’t solve the strength of the shadow with the opacity or blending modes, try either the Dodge tool to lighten an area or the Burn tool to darken an area.
 
Take your time with shadows. It is import step into creating a masterpiece.
 
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